Marblehead, MA - Local Guide to the Town

What's New!
view all
Local Photos
view | add
Featured Business
view all
$5 Off $50, or $15 Off $100 at Tuck's Candies Website
Give a sweet gift from Tuck's Candies locally owned & operated in Rockport Mass since 1929. Fresh made chocolates, candy, fudge, salt water taffy & more. Shop TucksCandy.com, during step 2 of 3 at check out enter code tuxx5-50 to save $5 or tuxx15-100 to save $15.
About Marblehead
map
Marblehead Massachusetts is a picturesque coastal town that is steeped in history. In its early years fishing and the shoe industry were Marblehead's two major sources of income. Today it is mainly a residential community with some minor industry and a few specialty retail stores and is known to be one of the yachting capitals of the world.

The original painting of "The Spirit of ˜76" is housed in Abbot Hall and visitors come from all over the world to see it. Visitors also come to view the scenic harbor and the narrow crooked streets in the Historic district that is lined with antique Colonial and Victorian buildings.

The town of Marblehead offers residents and visitors a series of events during the course of the year that include an arts festival and a tall ships cruise. Also offered are jazz concerts and a Christmas walk.

Close By
view all

Local Sponsors
advertise
Coupons & Deals
view all

Local Events
view | add
Local Events, Concerts, Tickets
Events by Eventful

Eventful results in "marblehead,massachusetts"

LVO After School - AN Training Purposes


When: Nov 24, 2014 12 AM to Jun 26, 2015 12 AMin Marblehead, Massachusetts (Mon, 24 Nov 2014 00 )
Catie Curtis- Jenna Lindbo


When: Oct 24, 2014 7 PM in Marblehead, Massachusetts (Fri, 24 Oct 2014 19 )
LvO - Infant: (c) 7:00a - 3:30p


When: Nov 23, 2014 5 AM in Marblehead, Massachusetts (Sun, 23 Nov 2014 05 )
LvO - TK I: (c) 8:30a - 12:30p


When: Nov 23, 2014 5 AM in Marblehead, Massachusetts (Sun, 23 Nov 2014 05 )
LvO - Early Release Days: Marblehead K-6 Schools


When: Nov 26, 2014 12 AM to May 27, 2015 12 AMin Marblehead, Massachusetts (Wed, 26 Nov 2014 00 )
After School (4:30 Pick Up)


When: Nov 23, 2014 5 AM in Marblehead, Massachusetts (Sun, 23 Nov 2014 05 )
HIIT Boot Camp


When: Jan 5, 2015 5 AM in Marblehead, Massachusetts (Mon, 05 Jan 2015 05 )
Personal Training - 3 One Hour Sessions


When: Jan 3, 2015 12 PM in Marblehead, Massachusetts (Sat, 03 Jan 2015 12 )
John Fullbright at the me and thee (Greg Klyma opens!)
"What's so bad about happy?" John Fullbright sings on the opening track of his new album, 'Songs.' It's a play on the writer's curse, the notion that new material can only come through heartbreak or depression, that great art is only born from suffering. "A normal person, if they find themselves in a position of turmoil or grief, they'll say, 'I need to get out of this as fast as I can,'" says Fullbright. "A writer will say, 'How long can I stay in this until I get something good?' And that's a bullshit way to look at life," he laughs. That plainspoken approach is part of what's fueled the young Oklahoman's remarkable rise. It was just two years ago that Fullbright released his debut studio album, 'From The Ground Up' to a swarm of critical acclaim. The LA Times called the record "preternaturally self-assured," while NPR hailed him as one of the 10 Artists You Should Have Known in 2012, saying "it's not every day a new artistearns comparisons to great songwriters like Townes Van Zandt and Randy Newman, but Fullbright's music makes sense in such lofty company." The Wall Street Journal crowned him as giving one of the year's 10 best live performances, and the album also earned him the ASCAP Foundation's Harold Adamson Lyric Award. If there was any doubt that his debut announced the arrival of a songwriting force to be reckoned with, it was put to rest when 'From The Ground Up' was nominated for Best Americana Album at the GRAMMY Awards, which placed Fullbright alongside some of the genre's most iconic figures, including Bonnie Raitt. "I never came into this with a whole lot of expectations," says Fullbright. "I just wanted to write really good songs, and with that outlook, everything else is a perk. The fact that we went to LA and played "Gawd Above" in front of a star-studded audience [at the GRAMMY pre-tel concert], never in my life would I have imagined that." John onstage at the Grammys, 2013 Onstage at the GRAMMY Awards. But for Fullbright, it hasn't been all the acclaim that means the most to him, but rather his entrance into a community of songwriters whose work he admires. "When I started out, I was all by myself in a little town in Oklahoma where whatever you wanted, you just made it yourself," he explains. "I didn't grow up around musicians or like-minded songwriters, but I grew up around records. One of the most fulfilling things about the last two years is that now I'm surrounded by like-minded people in a community of peers. You don't feel so alone anymore." If there's a recurring motif that jumps out upon first listen to 'Songs,' it's the act of writing, which is one Fullbright treats with the utmost respect. "When I discovered Townes Van Zandt, that's when I went, 'You know, this is something to be taken pretty damn seriously,'" says Fullbright. "'This is nothing to do with business, it has to do with art and identity.' You can write something that's going to outlast you, and immortality though song is a big draw." But just as important to Fullbright as writing is careful editing. "I can write a first verse and a chorus fairly easily, and it's important just to document it at the time and come back to it later," he explains. "That's the labor, when you really get your tools out and figure out how to craft something that's worthwhile." Fullbright inhabits his songs' narrators completely, his old-soul voice fleshing out complex characters and subtle narratives with a gifted sense of understatement. "My songwriting is a lot more economical now," he explains. "I like to say as much as I can in 2 minutes 50 seconds, and that's kind of a point of pride for me." The arrangements on 'Songs' are stripped down to their cores and free of ornamentation. Fullbright's guitar and piano anchor the record, while a minimalist rhythm section weaves in and out throughout the album. That's not to say these are simple songs; Fullbright possesses a keen ear for memorable melody and a unique approach to harmony, moving through chord progressions far outside the expected confines of traditional folk or Americana. The performances are stark and direct, though, a deliberate approach meant to deliver the songs in their purest and most honest form. Studio 2013 Working in the studio with Wes Sharon on 'Songs.' "I'm a better performer and writer and musician now, and I wanted a record that would reflect that," he says. "We tracked a lot of it live, just me and a bass player in a room with a few microphones. The basis is a live performance and everything else supports that. I think you just get as much energy and skill as you can into a take, and then start building from there. And what we found is that you don't have to add too much to that." The songs also reflect how drastically Fullbright's life has changed since the release of 'From The Ground Up,' which launched him into a rigorous schedule of international touring. "Going Home" finds him appreciating the simple pleasure of heading back to Oklahoma, which he likens to The Odyssey. "When you're gone for so long, once you know you're headed in the right direction to your own bed and your own home, that's one of the greatest feelings you can have," he says. "I Didn't Know" is a song he premiered live at concert hosted by Emmylou Harris & Rodney Crowell, a story he tells still somewhat incredulously, while "When You're Here" is a somber piano love song, and "The One That Lives Too Far' is a raw account of the strain that distance can put on a romantic relationship. "All That You Know," which features just voice and Wurlitzer, implores listeners to appreciate what's right in front of them, and the finger-picked "Keeping Hope Alive" is a song of resilience through hard times. To be sure, 'Songs' has its moments of darkness, tracks born from pain and heartbreak, but for a craftsman like Fullbright, there are few greater joys than carving emotion into music, taking a stab at that lofty goal of immortality through song. It makes himand his fanshappy, and there's nothing bad about that. GREG KLYMA Greg Klyma is a prolific songwriter, multi-instrumentalist and seasoned performer, bringing to every stage a catalog of material that assumes his audiences are both smart and able to laugh. His birth date puts him squarely in the middle of Generation X, but Greg is an old-school troubadour. His enduring themes, articulate and amusing stories, and populist ideals make him one of those rare young artists who is carrying the torch of Woody and Ramblin' Jack. He rolls in off the road, pulls out a guitar, and proceeds to take us back to the basics: family, love, gratitude, and laughter. It's the timeless art of the true troubadour, keeping alive the American folk tradition. 15 years into a career that has yielded seven albums, dozens of national tours, and the acclaim of folk's most prestigious reviewers, Greg's eager fans paid for his new album. Completing the online fundraising well ahead of schedule, Klyma delivers an emotionally charged blend of fan favorites from recent tours, and plenty of never-before-heard material on his eighth album, Another Man's Treasure. Long known as a passionate and largely positive populist, Klyma's new album showcases an impressively matured songwriting talent. Travelling the perilous landscape of love, Another Man's Treasure admits sadness, anger, regret and profound tenderness. Going beyond the Woody Guthrie/Mark Twain sass of recent years, Klyma shows himself navigating intimacy as a thoroughly modern man. But this blue-collar boy knows when to swallow the heartbreak, and so the album rallies with an equal measure of punky sing-alongs and bootstrap lifters. Solo tracks feature Klyma's adroit guitar and banjo picking, while the band numbers rollick with great energy and a chorus of harmonies, thus welcoming the listener to Klyma's universe: long drives alone full of solitary contemplation, landing somewhere in America to shake the rafters and remind everyone of the love and dedication that keeps us going.



When: Nov 21, 2014 8 PM to Nov 21, 2014 10 PMin Marblehead, Massachusetts
Cost: 10 - 18 USD (Fri, 21 Nov 2014 20 )
HIIT Boot Camp - Tuesday & Thursday


When: Jan 8, 2015 9 AM in Marblehead, Massachusetts (Thu, 08 Jan 2015 09 )
HIIT Boot Camp - Thursday


When: Jan 8, 2015 9 AM in Marblehead, Massachusetts (Thu, 08 Jan 2015 09 )
Greg Klyma- John Fullbright


When: Nov 21, 2014 8 PM in Marblehead, Massachusetts (Fri, 21 Nov 2014 20 )
Sports and Splash - AN Training Purposes


When: Oct 21, 2014 9 AM in Marblehead, Massachusetts (Tue, 21 Oct 2014 09 )
Boot Camp - AN Training Purposes


When: Nov 19, 2014 6 AM in Marblehead, Massachusetts (Wed, 19 Nov 2014 06 )
Tiny Tumblers - AN Training Purposes


When: Jan 5, 2015 8 AM in Marblehead, Massachusetts (Mon, 05 Jan 2015 08 )
TRX Plus AN Training Purposes


When: Jan 7, 2015 6 PM in Marblehead, Massachusetts (Wed, 07 Jan 2015 18 )
Hayley Reardon Band with Special Guest Kat Quinn
It's hard to believe that Hayley Reardon can be considered a seasoned folk artist before even completing high school, but the impressive career she has built thus far is only the beginning. Noted for her thoughtful, vivid songwriting and engaging stage performance, Hayley has spent the past five years sharing the stage with acts like Tom Rush, Peter Yarrow, Buskin & Batteau, Christine Lavin, and opening for the likes of Lori McKenna, Mark Erelli, and Catie Curtis. She has been selected for official showcases at Folk Alliance International and New England Regional Folk Alliance, as well as The Boston Folk Festival, New York Songwriter's Circle, and Falcon Ridge Folk Festival Emerging Artist Showcase. In 2012, The Boston Globe Magazine named her a Bostonian of the Year for both her music and her work to pair it with a message of teen empowerment. The feature article characterized her as "a confident, radiant teenage singer/songwriter who is helping to pen the next chapter of the Boston folk scene....while Reardon is rapidly making a name for herself under the stage lights, it could be said that she's having a bigger impact on her peers across the country as an effective teen-to-teen ambassador, sought after by schools nationwide." Upon the release of her latest CD, Wayfindings (Kingswood Records), iTunes Editor's Notes cited "the fact that her music is not American Idol-like pop but in the singer/songwriter tradition of Suzanne Vega, Tracy Chapman, Erin McKeown, and Mary Chapin Carpenter illustrates an already well grounded artist. She sells out concerts and snags rides to them from her parents." Performer Magazine describes her music as "brilliantly moving folk/pop with a lyrical depth and soul," while American Songwriter Magazine refers to Numb and Blue, the lead single off of Wayfindings, as "a melancholy little masterpiece." In a live setting, these soulful songs are carefully intertwined between thoughtful stories and soft, clever humor to form a comforting, yet commanding, stage presence. Hayley Reardon is full of heart, and what's even better is that she has proven her ability to share that heart and make an audience feel her songs and stories just as strongly as she does. Reardon's appearance in the award-winning documentary For The Love of the Music: The Club 47 Folk Revival, which won Best Documentary at the 2012 Boston International Film Fest has linked her to an extended lineage of matriarchs and patriarchs of the folk movement of the 1960s as Joan Baez, Tom Rush, Judy Collins, Taj Mahal, Maria Muldaur, Geoff Muldaur, Jim Kweskin, Jackie Washington, Jim Rooney, and Peter Rowan were all featured in the film. Special Guest: Kat Quinn Singer/songwriter Kat Quinn came to New York, intent on making a living as a performing songwriter. Shortly after arriving, her shows began winning praise for her warm, sensitive vocals, easy-going charisma, and sharp, straight from the heart songwriting, with lyrics marked by a winning combination of poetry and plainspoken language. She has an uncanny ability to instantly draw listeners into her singular worldview. Kat Quinn grew up in Marblehead, MA, a historic port town north of Boston known as the birthplace of the US Navy. Quinn didn't think about a career in music until college, but grew up playing piano, switching to drums and percussion in high school. She played in marching, concert and jazz bands, "I got a guitar when I was 15 and taught myself to play, mostly singer/songwriter stuff. I took a few lessons, but focused more on learning songs I liked to sing, than working on becoming a great guitarist. I wrote my first song in college, when I was upset over a boy. The song just kind of fell out of me. After that, I started writing all the time. My voice teacher sent my demo to an artist in LA, who saw some potential in the songs. That was the turning point." Quinn didn't study music at Notre Dame; she majored in Spanish Literature and Peace Studies, with a minor in Latin American studies. She spent a lot of time in Latin America and got a grant to travel to Ecuador to write songs about immigration. "My project involved gathering the stories of children who had been left behind by parents that had emigrated to other countries in search of work. My studies were a round-about way to get to songwriting, but I think they have given me a different perspective as a songwriter." Since relocating to New York, she's been pursuing her songwriting career fulltime. She licensed a song to Happily After, a film by John Klein. The soundtrack won a Gold Medal for Excellence at the Park City Film Festival. The University of Notre Dame included another song, "Luck and Angels," on a two CD set that includes recordings from Regis Philbin, Cathy Richardson, Father Ted Hesburgh and the ONeill Brothers. Both Kat and her song, "What Love Feels Like," were featured in an ad for an iPhone App called VoxBox. And in March of 2013, she had the opportunity to compete in the Battle of the Instant Songwriters on Late Night with Jimmy Fallon, in which she was given a song title and then had to write a song in less an hour, and perform it live on the show. Her song was called "Clouds Are People Too."



When: Apr 3, 2015 8 PM to Apr 3, 2015 10 PMin Marblehead, Massachusetts
Cost: 10 - 16 USD (Fri, 03 Apr 2015 20 )
Griffin House at the me and thee
Griffin House was born and raised in Springfield, Ohio. His father worked in a tire shop and his mother helped place children with foster families. In high school, the athletically gifted House landed a role in a musical and was surprised to learn that he had a natural talent for singing. House bought his first guitar for $100 from a friend, turned down a golf scholarship to Ohio University and instead went to Miami University in Oxford, Ohio and started to teach himself how to play the guitar and write songs. House began writing and recording and issued his first independent release, Upland, in 2003. His music attracted attention from Nettwerk, a Vancouver-based management company and record label, and House partnered with the label's American branch to issue Lost & Found in 2004. In August 2004, on CBS Sunday Morning, music journalist Bill Flanagan (MTV/VH1) raved about Lost and Found, putting the newcomer on his short list of the best emerging songwriters in the U.S. "I bought House's CD after a show in New York City," said Flanagan, "and this never happens: I took it home and must have listened to it 20 times that weekend. I was knocked out." Several self-released albums followed, and in 2008 House released Flying Upside Down, produced by Jeff Trott and featuring Mike Campbell and Benmont Tench. House has released the majority of his records on his imprint label, Evening Records. House has toured extensively, opening for artists such as Ron Sexsmith,Patti Scialfa, Josh Ritter, John Mellencamp, Mat Kearney, and The Cranberries. Since 2007 House has been a national headliner.



When: Dec 12, 2014 8 PM to Dec 12, 2014 10 PMin Marblehead, Massachusetts
Cost: 10 - 20 USD (Fri, 12 Dec 2014 20 )
73 Duster


When: Dec 13, 2014 12 PM in Marblehead, Massachusetts (Sat, 13 Dec 2014 12 )
Rani Arbo and daisy mayhem at the me and thee!
Rani Arbo & daisy mayhem are a steadily deepening, 12-year brew of band chemistry, life experience and musical evolution. In 2007, the San Francisco Guardian called them "one of the most song- and arrangement-oriented bands in a field overgrown with pyrotechnic, jam- and solo-conscious virtuosos." Nice. And true. But what really sets this band apart is their connection to each other, to the audience, and to the music. Simultaneously loose and tight, their playing seems to tick by invisible radar; it's exciting, cathartic, and fun to watch. It's a band. On stage, they are Rani Arbo (fiddle, guitar), Andrew Kinsey (bass, banjo, uke), Anand Nayak (electric and acoustic guitars) and Scott Kessel (percussion). Kessel's percussion rig is 95% recycled, featuring a cardboard box, tin cans, caulk tubes, and a vinyl suitcase in lieu of a bass drum. All the band members sing, and their four-part harmonies soar, whether on a haunting Appalachian ballad, a Springsteen rocker, or a Bahamian a capella song. Many of their songs plumb the human condition, with topics ranging from joy to death (a favorite), loss, aging, blackbirds and red-haired boys. The band has jokingly dubbed itself an "agnostic gospel" revival show, but there's truth in it; the refrain they hear time and again from audiences all over the country is that their performances really do heal. Musically, Rani Arbo & daisy mayhem reuse and recycle (but try hard not to reduce) 150 years of American music. They hang a Georgia Sea Islands song on a New Orleans groove. They write lyrics for an Irish fiddle tune and underpin it with an Afro-Cuban cajon. Leonard Cohen gets clawhammer banjo; Springsteen gets bluegrass harmonies. Their originals range from blues, to bluegrass, to Unitarian funk gospel, to crooner swing, to spooky folk-pop. With influences from Doc Watson to Django Reinhardt, from Fiddlin' John Carson to the funky Meters, Rani Arbo & daisy mayhem celebrates America's past and takes it into the present. Of their signature style, Vancouver's Rogue Folk Review wrote, "It's as hard to classify as it is to praise highly enoughan intoxicating blend of roots music styles, with deep traditional roots and a healthy futuristic outlook. Strongly recommended." Rani Arbo & daisy mayhem's newest album, Some Bright Morning will be released on Signature Sounds in April of 2012. The band's 2010 family album, Ranky Tanky (Mayhem Music), won top awards from the Parents' Choice Foundation, National Association of Parenting Publications, and the American Library Association. Rani Arbo & daisy mayhem play festivals, performing arts centers and theaters from coast to coast in the U.S. and Canada. They specialize in multi-day residencies that include adult and family shows, as well as performances for under-served communities.



When: May 8, 2015 8 PM to May 8, 2015 10 PMin Marblehead, Massachusetts
Cost: 10 - 20 USD (Fri, 08 May 2015 20 )
Preschool I: (d) Early Drop-off


When: Nov 24, 2014 12 AM to Aug 28, 2015 12 AMin Marblehead, Massachusetts (Mon, 24 Nov 2014 00 )
Adult Beginner Swim - AN Training Purposes


When: Jan 8, 2015 12:05:00 AM in Marblehead, Massachusetts (Thu, 08 Jan 2015 00:05:00 )
Girls, Guns, and Glory (with Susan Cattaneo opening) at the me&thee
For the past eight years, Boston's rising stars Girls Guns and Glory have been making a name for themselves through relentless touring (about 200 gigs a year worldwide), the release of four critically acclaimed records, a slew of local awards, including being the Boston Music Awards first act of its genre to win Act of the Year, and international awards (Independent Artist of the Year at the French Country Music Awards). And, now, the hard-working band is refining their focus to the roots of rock 'n' roll with a twist of country on their fifth album, "Good Luck," due on February 4, 2014 on Lonesome Day Records. The foursome (Ward Hayden on vocals/guitar, Paul Dilley on electric and upright bass/piano, Josh Kiggans on drums/percussion, and Chris Hersch on lead guitar/banjo) found inspiration for this record from early '50s rock 'n' roll icons such as Chuck Berry, Eddie Cochran, and Buddy Holly, as well as country greats like Hank Williams and Johnny Cash. With Good Luck, GGG is looking back to that era of music for a more rock 'n' roll-focused record with producer Eric "Roscoe" Ambel (Nils Lofgren, Steve Earle, The Bottle Rockets) at the helm. "We were familiar with the work he'd done with Steve Earle and The Bottle Rockets and he was Joan Jett's original guitarist. Right after we made our fourth record 'Sweet Nothings' in 2011, he heard us on the radio and contacted us, asking about our plans. It's funny because we had been talking about trying to get in touch with him and there he is calling us out of the blue," explains Hayden. It was this serendipitous coming together that really solidified the sound of "Good Luck." "One of the ways we really benefited from Roscoe was that he had seen us play live several times and was able to see what the audience reacted to the most," continues Hayden. "Even though we play a variety of styles of music, he saw that fans really reacted to the more rocking songs. We wanted to focus this album on making more of a straightforward rock 'n' roll record that would translate well to the live show and he really helped us accomplish that." The 10-track album kicks off with the heartfelt, feel-good rocker "All the Way Up To Heaven," which sets the tone for the album thematically. "It's about finally winning in love and feeling that thrill of getting something good and having a true appreciation of it," says the singer. The record was written over the past two years with the exception of two songs, "Shake Like Jello" and "UUU," which have been in the band's repertoire for about four years. "We never really had a place for those songs because we were viewing ourselves more of a country band than a rock 'n' roll band and those two songs are definitely more rocking. They fit perfectly on this album," he notes. Another song close to GGG's heart and the band's Northeast roots is the ballad "Centralia, PA." "Chris and Paul are originally from Eastern Pennsylvania and we tour a lot in that area. We found out about this coal-mining town there called Centralia that was destroyed by a coal fire over 50 years ago. It's a ghost town now because it's unfit to live in. I became fascinated by the tragic story of the town and we kind of wanted to put Centralia back on the map with this song," he says. SUSAN CATTANEO opens Susan Cattaneo is not afraid of the dark. A powerful singer and sophisticated songwriter, Susan has seen the darkness in the corners and sings about it fearlessly. Following in the footsteps of Matraca Berg, Kim Richey, Lucinda Williams and Gretchen Peters, the well-respected Boston artist combines vivid storytelling with a modern songwriters spin. Call it New England Americana with a twang. Respectful of tradition, but not bound by it, Susans rootsy vibe blends rock, folk, soul and blues with a healthy dose of country. "I'm a songwriting geek, I appreciate the work that goes into creating a song. Great songwriters have an authentic point of view, but they are also artisans, masters of the craft. I'm proud that my songs have something to say, and that they are carefully crafted." Not a surprising statement from an artist who is also a Songwriting Professor at the world-renowned Berklee College of Music. A Jersey girl with a Southwest heart, Susan grew up on a farm in the Garden State but spent her summers on a ranch in Arizona. She began her music career early, singing six-part harmony with her family and performing country songs by the campfire. She played in bands during her college years and performed in many clubs in New York City while pursuing a career in television (she is an Emmy-nominated writer/producer and NY State Broadcasters Award winner) before turning to music full time. For a number of years, Susan wrote in Nashville and raised two children. In 2009, she returned to performing. Since then, she has released three records and toured nationally and in Italy. Her songs have been played on country stations all over the world, charting on the Americana Chart, the Music Row Chart and the European Country Chart. She has opened for or shared the stage with artists such as Amy Grant, Rose Cousins, David Wilcox, Dave Alvin and The Guilty Women, Son Volt, Melissa Ferrick, Paula Cole, Travis Tritt, Bonnie Bishop, Ellis Paul and Huey Lewis and The News. Susan's fourth album Haunted Heart is the culmination of a journey of self-discovery and a creative left turn. Leaving behind the modern country of her previous albums, Haunted Heart marks a return to a more organic sound. Produced by Lorne Entress (Lori McKenna, Mark Erelli, Ronnie Earl), the album features a stellar cast of musicians from the national Americana scene (including some of New England's best). Acoustic, electric and all sort of steel guitars are provided by Duke Levine (Peter Wolf, J. Geils, Mary Chapin Carpenter, Garland Jeffreys), Kevin Barry (Peter Wolf, Ray LaMontaigne, Mark Cohn) Lyle Brewer (Ryan Montbleau) and Stu Kimball (Bob Dylan). The rhythm section includes Richard Gates (Susanne Vega, Melissa Ferrick) on bass and Marco Giovino (Buddy Miller, Jim Lauderdale, Band of Joy) on drums. Kenny White (Peter Wolf) is on keyboard and special guests include Jimmy Ryan on mandolin and Kristin Cifelli and Scarlet Keys on vocals.



When: Feb 20, 2015 8 PM to Feb 20, 2015 10 PMin Marblehead, Massachusetts
Cost: 10 - 16 USD (Fri, 20 Feb 2015 20 )
Ellis Paul at the me and thee!
"Despite his success and sense of history, Mr. Paul remains an artist with his eye on the future and an interest in discovering the transformative potential in his music." - The New York Times Some artists document their lives through their music. Others chronicle their times. It's a rare artist who can do both, telling their own story through songs that also encapsulate the essence of people and places who have helped define their era overall. Woody Guthrie comes to mind, and so does Bob Dylan. Bruce Springsteen certainly as well. Yet few others, for whatever genius they may possess, can relate their own history to the history experienced by those who find that common bond, be it in a coming of age, living through the same realities or sharing similar experiences. Ellis Paul is one of those gifted singer/songwriters.Though some may refer to him as a folksinger, he is more, for lack of a better word, a singular storyteller, a musician whose words reach out from inside and yet also express the feelings, thoughts and sensibilities that most people can relate to in one way or another, regardless of age or upbringing. The exhilaration of the open road. A celebration of heroes. The hope for redemption. Descriptions of those things that are both near and dear. The sharing of love..., intimate, passionate and enduring. These are the scenarios that emerge from Ellis Paul's new album, Chasing Beauty, a set of songs which detail, in typical Paul fashion, stories of people and places that reflect larger truths about us all. "Kick Out the Lights (Johnny Cash)" pays tribute to that fearless American icon name-checked in its title. "Plastic Soldier" offers homage to a wounded soldier returning from Afghanistan. A real-life barnstorming pilot takes the spotlight in "Jimmie Angel's Flying Circus," while iconic Boston blue collar musician Dennis Brennan takes the focus in "Waiting on a Break." Even the Empire State Building and the Boston Red Sox get their due, via "Empire State" and "UK Girl (Boston Calling)," respectively. In reality, these stories are a continuation of tales Paul has told for more than a quarter century, over the expanse of nineteen albums, numerous critical kudos (15 Boston Music Awards alone), inclusion in several movie soundtracks, and stages he's headlined both near and far. "I've got a car with over 475,000 miles on it, and it's my third road vehicle," Paul declares. "I've been doing 200 shows a year for over twenty years. There isn't a town in the country where I won't find a friend. I'm a nomad. And I'm gonna write and play until I'm gone." No doubt he will. Still, it's somewhat ironic that Paul gravitated towards this bigger world of intent and expression given that the place Paul considers his hometown these days isn't New York or Nashville, or Boston or Austin or Charlottesville, VA. where he lives, but rather Presque Isle, Maine, a tiny enclave surrounded by three rivers. Not surprisingly, the name translates to "almost an island." Presque Isle shares a vanishing tradition with many small towns these days, where family farms are giving way to industrialization and giant corporations, and earning a livelihood from the land is no longer the simple option it once was. Nevertheless, it's still a haven for traditional values and for people as real and authentic as the soil they once tilled. If there's one grace left to cling to, it's the grace of nature's beauty, sealed off by the surrounding mountains and fields. Likewise, his geographical origins also couldn't have been further from the world at large. He was born in the dead of winter in the small town of Fort Kent, Maine, a place nestled right up next to the Canadian border. He came from humble origins, a family of potato farmers who could count among their forebears a veteran of the battle of Gettysburg, whose heroism on that field of honor earned him the 140 acres of Maine farmland that his descendants would continue to sow. It was the place that taught Paul the meaning of hard work and self-reliance, and the values that accompany as much drive and determination any individual could muster. As a boy, Paul found his escape in athletics, working out as a runner and testing his mettle in the open spaces near his home. He became a star competitor, and enjoyed the advantage of traveling throughout the nation after being given opportunities to compete. Along the way, he saw more of the country than most people do in a lifetime. "I was lucky to be able to travel for competitions all over the U.S. and to see places I once could only dream of," he recalls. "The Olympic Stadium in Los Angeles, the endless plains of Texas, the Kansas prairie, the Rocky Mountain in Wyoming. Every trip was funded by a hat the town passed around on my behalf, and it never came back empty." When Paul finished second in a nationwide track competition, he was met at the airport by the high school marching band and a fire engine with spinning lights that drove him in triumph through town. In an expression of hometown pride, the mayor handed him the key to the city. No one ever told Paul he had to follow in his family's tradition. He was a dreamer after all, and he had seen enough of America to know there was more out there than his little town could ever offer. Consequently, his ambitions were never destined to stay bottled up for long. He would write, paint, play trumpet and sing in the school choir. "I never had anyone tell me I had to be a farmer," Paul insists. "I had plenty of people telling me how my hard work and talent could take me places. That's enough to get you dreaming, And enough to make you believe those dreams are within reach." Indeed, Paul found those dreams were within his reach, at least in terms of his imagination. However their pursuit would take him far from home. His first destination was Boston College, courtesy of a track scholarship. Yet as Paul describes it, his athletic endeavors, combined with his academic responsibilities, served to rob him of his creativity. It was only after he suffered a knee injury which forced him to take a year off that he rebounded with a new form of expression, made possible when his girlfriend's sister gave him a secondhand guitar. "A mysterious, lustful partnership with the instrument followed," Paul concedes. "It became a marriage, a friendship, a lifelong bond that only comes when you find that one thing that becomes an extension of yourself. I played for hours, choosing to write my own original songs and sing instead of studying, socializing or exploring what the Boston streets could offer after hours." After graduation, Paul did find time to explore those paths, while taking opportunities to indulge his creative ambitions. Working as a teacher and social worker with inner city children by day and pursuing the possibilities offered by Boston's fertile music scene at night, he gained prominence in local coffeehouses and open mic nights. It was the same circuit that opened the door for other like-minded artists of the day, and in turn, gave Paul exposure to such creative contemporaries as Shawn Colvin, Dar Williams, Patty Larkin, John Gorka, Catie Curtis, and Bill Morrissey. It also helped him win a Boston Underground Songwriting competition and placement on a Windham Hill Records singer/songwriter compilation, bringing him his first hint of national exposure at the same time. The major tipping point in his career came with the opportunity to open for Bill Morrissey, one of New England's most prominent folk artists. Paul would repeatedly ask Morrissey about his own influences and seek his advice on who he ought to listen to. "You know, that's a very smart thing to do," Morrissey muses. "It helped set him apart. A lot of young singers I meet are not curious about what went on before; they just say, 'I want to sing another song about my life.' Paul has a sense of roots, of connectedness to the whole history of folk music; he sees the thread that runs through all the generations of this music." It was mutual admiration that caused Paul to ask Morrissey to produce his first full album, 1993's Say Something. It was released on Black Wolf Records, the label he founded with Ralph Jaccodine, the man who would become his manager. "Ralph was fulfilling a dream to get into the music business," Paul recalls. "Starting with a folk singer isn't a rocket launch, but we got off the ground. We started a label and began a lifelong, DIY partnership and have been in the trenches for over 20 years." Paul also became infatuated with the music of Woody Guthrie, drawn to Woody's social consciousness and the humanitarian streak that ran through his work. He even had a tattoo of Guthrie imprinted on his right shoulder, referring to it as "a badge of who he was." His commitment to Guthrie's legacy eventually led to his inclusion in a ten day celebration of Woody's work held at the Rock and Roll Hall of Fame in September 1996, an event that included such notables as Bruce Springsteen, Billy Bragg, the Indigo Girls and Ani DiFranco and which was presided over by Guthrie's daughter Nora. Later, when Guthrie's hometown of Okemah, Oklahoma hosted the first Woody Guthrie Folk Festival in July, 1998, Paul was tapped as one of the headliners. He has since made this an annual part of his touring schedule, garnering the honor of being named an honorary citizen of Okemah in the process. The connection with Guthrie continued into the new millennium when Nora Guthrie invited him to put music to a set of her father's lyrics. He later participated in the "Ribbon of Highway" tour, a communal salute featuring such luminaries as Arlo Guthrie, Marty Stuart, Ramblin' Jack Ellott, Nanci Griffith, Guy Clark and Janis Ian, among others. There's likely no greater evidence of how Guthrie's insights and humanity have rubbed off on Paul than in this particularly telling tribute from Nora Guthrie. "A singer songwriter is only as good as the times he reflects,"she said in praising Paul. "In times like these, when so many nuts are running the show, it's comforting to know that Ellis Paul is actually holding our sanity on his own stage! Wise, tender, brilliant and biting, Ellis is one of our best human compasses, marking in melodies and poems where we've been and where we might go if we so choose to. Personally Ellis, I'm goin' where you're goin'!" Where Paul is "goin'" is to practically every place a microphone beckons and a crowd of the folk faithful awaits. He's become a staple at the Newport Folk Festival, played Carnegie hall, and venues from Alaska to Miami, Paris and London. In addition to his 19 albums released on the Rounder and Black Wolf record labels, his music has appeared on dozens of distinguished compilations. A Film/DVD entitled 3000 Miles -- part concert film, part documentary, part instructional video -- provides a further prospective on both the man and his music. He's also released a pair of children's albums, earning him honors from the Parent's Choice Foundation for both. His latest, "The Hero In You" has been turned into a picture book, detailing the lives of great American heroes. Ellis' literate, evocative and insightful writings are further showcased in a book of poetry and short stories entitled "Notes from the Road," already in it's third pressing. It's no wonder then that recently Paul received a prestigious honor: an honorary Doctor of Humane Letters degree from the University of Maine, which also asked him to write the school's alma mater as well as deliver its commencement address in May 2014. Happily, his music has been shared with a wider audience as well, through commercials, documentaries, TV shows and in the soundtracks of several blockbuster films, among them three by the Farrelly Brothers -- "Hall Pass" (starring Owen Wilson and Alyssa Milano), "Me, Myself, & Irene" (starring Jim Carrey) and "Shallow Hal" (starring Jack Black and Gwyneth Paltrow). Peter Farrelly summed up the sentiments of all those who have come to know and appreciate Paul's music by referring to him as "a national treasure." Not surprisingly, Paul's consistently been heralded by others as well. One writer noted "that it reminds you how much we need storytellers back in pop music -- storytellers with empathy, fine eyes and an understanding that even though we live in a soulless, indifferent would, out music doesn't have to reflect our culture." Another reviewer was even more pointed. "Ellis Paul is one of the best singer/songwriters of his generation," she commented. "And for many of us he is the face of contemporary folk music. Few are as smart, as literate, as poetic as Paul. I cannot think of another artist on the acoustic music scene is better loved by fans, or more respected by his contemporaries." Indeed, he is all that, and in a very real sense, even more. He's an observer, a philosopher, and an astute storyteller who shares with his listeners the life lessons he's learned, and in turn, life lessons they ought to heed as well. By affirming and defining who he is, Ellis Paul affirms and uncovers the essence of us all. -- Lee Zimmerman (writer/reviewer for American Songwriter, No Depression, New Times, Country Standard Time, Blurt, Relix, and M Music and Musicians)



When: Mar 27, 2015 8 PM to Mar 27, 2015 10 PMin Marblehead, Massachusetts
Cost: 10 - 22 USD (Fri, 27 Mar 2015 20 )
Ari Hest at the me and thee (Honor Finnegan opens!)
On his latest release Shouts and Whispers, singer-songwriter Ari Hest creates a non-typical collection of tracks that ultimately form a cohesive narrative. With songs of sadness and resignation giving way to lucidity and catharsis, Hest's introspection and intelligence are on display, creating moments of magic within his poetic, spare lyrics and backing them up with his ear for haunting melodies. Hest conceived half the album as an acoustic set, while the other half took shape via keyboards, as he explains below. Shouts and Whispers begins with the swirling, hypnotic 'Harvest', soon followed by a centerpiece track, the stunning, understated 'Into the Empty White'. 'How We'll Always Be' is perhaps a declaration of giving up the fight, and the melancholy 'No One Can Stay' has an elegant darkness. There's a glimmer of hope within 'Bona Fide', and finally a cathartic yowl as 'After The Thunder' builds to its crescendo. Hest comments on the process of making the album: "At first I wanted to write and record some songs where I put the guitar down and focused on keyboardsI've always been into music from Tears For Fears, Peter Gabriel, and Bruce Hornsby, and was excited to experiment in that direction. So I asked my buddy Carl Barc if I could invade his studio for a while to experiment with some ideas on his Juno and CP70 keyboards. I loved creating in a way I hadn't - using those instruments as the backbone of tracks and leaving guitar largely out of it." "In the middle of working on those songs I began playing solo shows supporting Judy Collins around the U.S. and Europe. Her show and her audience beg for a more acoustically minded set, so I'd go on stage with just a guitar and occasionally play songs that were fresh out of the oven. I enjoyed being able to take a break mentally from what I was doing with Carl. I was able to focus on how I could arrange these other new songs sparsely." Eventually Hest found the time to record a few of them with the help of producer Matt Pendergast at Q Division Studios in Boston, MA. Then he listened to both projects. "After hearing the two finished batches of songs I saw two distinct themes, not only in a musical sense but also lyrically. The vibe of the keyboard driven tracks is intense. I wrote a lot about the uncertainty of what I do for a living. On the contrary, the acoustic songs come from a place of lucidity. I started thinking it'd be cool to combine the two somehow." The result is an album that isn't an album in the traditional sense, but it manages to flow like a complete thought. "I've always been the introspective type. I guess as a singer-songwriter you're gonna have some of that anyway in your makeup. My previous records were inward most of the time, but Shouts and Whispers has another distinct angle, one of understanding the world I live in and embracing how I fit into it a bit easier than I used to." Hest has released seven albums, three EPs, and "52" in 2008, an innovative project whereby he wrote, recorded and released a new song every Monday for a full year. In addition, Hest is half of the folk pop duo The Open Sea, along with longtime friend Rosi Golan. His music has been featured on numerous television shows including Private Practice, Army Wives, and One Tree Hill. Recently, Ari's song "The Landlord" appeared in an episode of NPR's "All Things Considered". He's also scored a film called 'Dreamriders,' which won several independent film awards. And throughout his career, he has toured worldwide to support his records, most recently in Germany as well as several European countries, and built the kind of loyal fan base any musician would envy. While Shouts and Whispers is an excellent indication of what Hest is capable of, his live show may leave even more of an impression. Watching him play, one can't help but be thrust into his world, hanging on every word like a child listening to a ghost story. Opener: Honor Finnegan Honor Finnegan is the Susan Boyle of quirky indie folk, only hotter. Her songs are humorous then heartbreaking with melodies that soar. Based in New York City, she has been making a splash in the northeastern regional folk scene with her original songs and ukulele playing. Combining elements of musical theatre, comedy, traditional folk, and poetry, Honor is cooler than the other side of the pillow. Honor Finnegan was born and raised on the South Side of Chicago and learned to appreciate a variety of people and music living in a mostly African American neighborhood and sitting in the back seat of her single mothers car listening to the radio for long periods of time. When Honor was 11 her dream of being an actress came true when she was cast in the 1st National Tour of "Annie". Honor eventually outgrew the Annie thing and went back to Chicago, spending her early adult life studying Improv with Del Close who created "Honor Finnegan vs. the Brain of the Galaxy" to try and help the poor waif get somewhere in life. In 1991 Honor moved to Ireland. While living in Ireland, Honor sang with jazz bands, blues bands, big bands and traditional Irish bands including DeDannan for about a day. She released a cassette, "Learning to Fly", in 1996 and was a finalist in the Paddy Music Expo in Limerick. Her song "Better Love Water" was sung on the Gay Byrne Radio Hour twice with the all-female a Capella group, "The Cappuccinos". Honor moved to New York in 1998. Honor is a regular attendee at the late great Jack Hardy's songwriter's exchange, which has nurtured the talents of Suzanne Vega, and Shawn Colvin to name but a few. She is also a proud member of Tribes Hill, a folk music collective based in the Hudson Valley. She was a finalist in the 2011 Connecticut Folk Festival Songwriting Competition, and she has shared the stage with Buskin & Batteau, Sloan Wainwright, and David Massengill.



When: May 1, 2015 8 PM to May 1, 2015 10 PMin Marblehead, Massachusetts
Cost: 10 - 18 USD (Fri, 01 May 2015 20 )
Guy Van Duser and Bily Novick (Julie Dougherty opens!)
"Elegant." "Riveting." "Soulful." "Classic mastery." These are a few of the terms that have been used to describe the unique and stunning swing-jazz music of acoustic guitarist Guy Van Duser and clarinetist Billy Novick. Together as a duo for more than thirty years- longer than most marriages- Guy and Billy have performed in concerts, clubs and festivals all over North America and Europe. You also may have heard them as frequent guests of the Prairie Home Companion show, NPR's All Things Considered, or on one one the numerous film and television soundtracks they have been featured on. And like a good marriage, their music has wed together two perfectly suited musical personalities. Their music is based around Guy's innovative finger-style guitar wizardry, and his uncanny ability to play bass lines, chords and melodies all at the same time. With his daring imagination, breathtaking technique, and his wonderful musicality, Guy has become an inspiration for guitarists all over the world. Novick's ever-inventive and soulful clarinet playing provides the ideal complement to Guy's guitar. With his vast knowledge of the classic jazz era, his dazzling improvising skills, and his entertaining vocals, Novick is able to both add a melodic and dynamic spark to Guy's guitar . Their music sounds fresh and original, yet is also deeply rooted in the rich legacy of the classic jazz age. The duo can play any piece from their huge repertoire- an obscure Ellington tune, a Gershwin classic, a complex Jelly Roll Morton arrangement, or perhaps one of the their originals- and immediately have it sound their own. And, my, how they swing! The two of them together can create a pulse as driving as any big band. They have a musical telepathy and understanding that has been honed by more than twenty-five years of playing together, a rhythmic drive that doesn't quit and a thorough mastery of their instruments. Add to all of this their relaxed and engaging stage manner, and you will be treated to a joyously entertaining and musically enchanting show that, indeed, has already stood the test of time. "Riveting echoes of an earlier jazz era..." Washington Post Opener: JULIE DOUGHERTY "I've been singing since the mid-sixties, starting with my sister, Kathy, performing folk music at coffeehouses in the Boston area, such as the Unicorn Coffeehouse and the King's Rook (we were lucky enough to open up several times for the Kingston Trio in the 70's) through the years since then, I've travelled much of the country singing Irish music, original folk-rock music, country-rock music in the 80's, and have made several trips to Nashville, where I placed two original songs with two major publishing firms and almost moved there in the early 90's....but my roots are in New England! I also hosted a songwriting cable TV show, called Songwriters In The Round for three years, on which we featured many fine songwriters including Noel Paul Stookey, Chris Smither, and Al Kooper, to name just a few. "I spent a year and a half writing and performing in an original funk band in the Boston area, the Boston Horns and also explored some jazz and blues combinations. I really love all kinds of music and love singing as many styles as I can. I'm very lucky to have had plenty of work over the years and have recorded a couple of my own CD's along the way



When: Mar 20, 2015 8 PM to Mar 20, 2015 10 PMin Marblehead, Massachusetts
Cost: 10 - 18 USD (Fri, 20 Mar 2015 20 )
Cris Williamson at the me and thee in Marblehead!
Decades before indie labels were the norm, and years before women had any real access to the industry, Cris Williamson was busy changing the face of popular music. In 1975, the twenty-something former schoolteacher recorded The Changer And The Changed, for her brainchild, Olivia Records. the first woman-owned woman-focused record company. Her music and voice quickly became the soundtrack of a movement, and was the cornerstone of what would become known as "women's music," music created, performed, and marketed specifically to women. Today, that recording, The Changer and the Changed, remains one of the best-selling independent releases of all time. For Cris, the music became the vehicle for something larger. Her lyrics appear on a regular basis in books and thesis papers. Her albums are part of the curriculum for women's studies courses, and thousands of people who may not even know her name join their voices in "Song of the Soul" around campfires and places of worship. She is embraced by women. She is sampled in hip-hop Her music is used by midwives welcoming life into the world, while hospice choirs sing her songs in tender sacred escort. "She is often considered a treasure, passed hand-to-hand, person-to-person," says the Boston Phoenix, "Williamson is an heroic character whose tireless activism continues." Says Bonnie Raitt, "The first time I heard Cris' music, it was like hearing honey dripped on a cello... Cris has been a whole lot of women's heroes -- including mine." Today, with 30+ full albums to her credit, Cris continues to tour the acoustic circuit adding new material at each juncture. Her performance career includes three sold-out shows at Carnegie Hall and the headlining of many of the great folk festivals, including Newport, Kerrville, Moab and Vancouver. The songs and the celebration continue with the release of her 31st, her 2-CD set, Pray Tell: Songs of the Soul: 24 original songs released in June 2013. Opening: Birdsong at Morning The music of Birdsong At Morning, with its themes of self-discovery and reinvention, is initiated by Alan Williams, a man with a few reinventions of his own. Alan grew up in Asheville, North Carolina, after an early childhood spent in various locations from Ohio to the east coast. At three, prompted by a viewing of The Sound of Music, the precocious musician stunned his parents by reaching over his head to tap out the melody to "Do-Re-Mi" on the piano. A teacher was quickly recruited to instruct the budding Mozart, but Legos held much more interest and the lessons were soon abandoned. Alan's love of music can be traced to a game his father used to play with him as a toddler: records were pulled from their sleeves and shuffled, then reconnected, proper disc to jacket. Records remained (and remain) a source of endless fascination, whether a portable player loaded with a disc of Winnie the Pooh, a babysitter's misplaced 45 of "I Am The Walrus," or the several hundred LPs he had acquired before graduating high school. We won't even mention what happened when he discovered used record stores. A visit by a traveling salesman hocking World Book Encyclopedia-like sets of piano music reignited his musical impulse, and at six, Alan began a formal study of the instrument. Though classical piano was interesting, it wasn't as much fun as trying to pick out "Lucy in the Sky With Diamonds" or "Lady Madonna." A chance viewing of Keith Jarrett on Saturday Night Live led Alan to pursue other musical forms on the instrument. If someone could make things up on live television, couldn't someone attempt the same in the family room? Thus suitably distracted, Alan made lots of different music in lots of different contexts during his teenage years (much to the consternation of his piano teacher). He played electric piano versions of "The Orange Blossom Special" in a bluegrass band, and discovered the joys of the modulation wheel playing "Just What I Needed" in a professional bar band. His own musical creativity was encouraged by a summer school friend who suggested that perhaps they were the next Lennon and McCartney and ought to form a band. The fact that this friend lived on the other side of the state, and that they had never written any songs was conveniently overlooked. As fate would have it, this friend (now the Chancellor of the University of North Carolina, but that's a different bio) knew an excellent musician who played bass and violin, and this can't be stressed enough had all the right new wave and punk records that Alan had read about but never heard. In the fall of 2006, Alan joined the full time faculty at the University of Massachusetts Lowell, where he serves as Coordinator of Music Business and lectures on non-European music, American music, rock, and other technologically mediated music. Concurrently, he is the prime instigator of the machinations behind Birdsong At Morning, putting his research into practice and bringing his real world experience into the classroom. He has been known to ride a bicycle for hundreds of miles in a handful of days as part of Ride Far, an HIV/AIDS fundraising endeavor, loves swimming in the ocean, Reese's peanut butter cups, sudoku, and the Criterion film collection. He is the requisite Beatlemaniac of the group.



When: Mar 13, 2015 8 PM to Mar 13, 2015 10 PMin Marblehead, Massachusetts
Cost: 10 - 22 USD (Fri, 13 Mar 2015 20 )
Liz Longley at the me&thee (with Jesse Terry opening)
In the short time since her graduation from Boston's renowned Berklee College of Music, singer-songwriter Liz Longley has assembled an impressive resume. While best known for her stop-you-in-your-tracks voice, Liz has steadily developed a reputation as an accomplished songwriter, crafting intimately personal portraits through her music. In the past two years, Liz has taken home top prizes at some of the most prestigious songwriting competitions in the country, including the BMI John Lennon Songwriting Scholarship Competition, the International Acoustic Music Awards and the Rocky Mountain Folk Fest Songwriting Competition. New England named her the 2011 Female Performer of the Year, the Washington Post declared that Liz is "destined for a larger audience" and Dig Boston called her "a rising acoustic sensation." Even John Mayer is a fan, calling her music "gorgeous, simply gorgeous." A Philadelphia native, Liz recently made the move to Nashville, Tennessee where she has quickly made her presence known throughout Music City. In addition to writing more than forty songs with some of the best songwriters in the business, Liz has also managed to keep up her seemingly never-ending touring schedule, playing over one hundred shows in the last year - all without the help of a record label or booking agent. While Liz frequently supports the likes of Shawn Colvin, Amos Lee, Paula Cole, Nanci Griffith, Livingston Taylor, Lori McKenna and Colin Hay, something remarkable has begun to happen - audiences are emerging from these shows as fast fans of Liz's music as well. An engaging performer with an effortless stage presence, Liz has broken advance ticket and merchandise sales records at numerous venues across the country. Most recently, Liz's music has taken center stage on a national level with numerous television placements and radio airplay. ABC's critically acclaimed series NY Med featured Liz's music throughout the first season, and the 2012 season finale of Lifetime's Army Wives displayed her towering vocals in an epic grand finale song, "This Is Not the End." Executives at SiriusXM caught wind of her captivating cover of Van Morrison's hit "Moondance" and added it into regular rotation, along with her award-winning original song, "When You've Got Trouble." After an impressive response from listeners, Liz was invited to perform live in the SiriusXM studios in New York City and was named one of their Coffee House Discoveries of 2011. Following the success of her previous release, Hot Loose Wire, and an impressive crowdfunding campaign this past summer, Liz recently returned to the studio where she recorded her fourth full-length album which is scheduled to be released in 2014. JESSE TERRY Jesse Terry is an internationally award-winning singer-songwriter whose transcendent life and music make him one of the most prolific indie artists today; his intimacy with audiences, sincerity, and approachability solidifying him as a favorite at nationwide live venues and concert series. With three full-length albums, The Runner, Empty Seat On A Plane, and Stay Here With Me, this salt of the earth musician's lyrical mastery, emotional depth, and soothing voice have often been compared to the likes of Ryan Adams, Jackson Browne, Ray LaMontagne, and James Taylor, reaching deep into listeners' hearts to envelope them in shared joy, sadness, love, and unrelenting hope. The Grand Prize winner of The John Lennon Songwriting Contest, The NSAI/CMT Song Contest, and The We Are Listening Singer/Songwriter Awards, he has garnered worldwide acclaim including the elite honor of performing for US and NATO troops stationed at Thule Air Base in Greenland, and an official endorsement by Stonebridge Guitars International. "His ability to craft memorable songs is complimented by his supreme ability to deliver them in a sometimes funny, sometimes gut wrenching, but always sincere and authentic manner," praises Dave Dircks, host of the #1 Acoustic Podcast on iTunes, Acoustic Long Island. "At the core of it all, his personality sunny naivety meets gritty wisdom is what sets Jesse Terry apart"



When: Feb 27, 2015 8 PM to Feb 27, 2015 10 PMin Marblehead, Massachusetts
Cost: 10 - 20 USD (Fri, 27 Feb 2015 20 )
HIIT Boot Camp - Tuesday


When: Jan 6, 2015 9 AM in Marblehead, Massachusetts (Tue, 06 Jan 2015 09 )
LvO - TK I: (a) 7:00a - 6:00p


When: Nov 24, 2014 12 AM to Aug 28, 2015 12 AMin Marblehead, Massachusetts (Mon, 24 Nov 2014 00 )
LvO - Preschool I: (e) 7:00a - 3:30p


When: Nov 24, 2014 12 AM to Aug 28, 2015 12 AMin Marblehead, Massachusetts (Mon, 24 Nov 2014 00 )
Bill Staines and Lui Collins at the me & thee in Marblehead
Bill Staines and Lui Collins---a fantastic double bill Bill Staines For more than forty years, Bill has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960's and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was "simply Boston's best performer", Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer. Singing mostly his own songs, he has become one of the most popular and durable singers on the folk music scene today, performing nearly 200 concerts a year and driving over 65,000 miles annually. He weaves a blend of gentle wit and humor into his performances and one reviewer wrote, "He has a sense of timing to match the best standup comic." Bill's music is a slice of Americana, reflecting with the same ease his feelings about the prairie people of the Midwest or the adventurers of the Yukon, the on-the-road truckers, or the everyday workers that make up this land. Lui Collins Folk singer/songwriter Lui Collins has been performing, writing and recording for over 40 years, earning international acclaim for her music. Her music ranges from original and traditional folk songs to bossa nova in the original Brazilian Portuguese. She's made 16 recordings of her own and has sung and played guitar or banjo on others' projects as well. She's shared the stage with such folk-world notables as Tom Rush, Bonnie Raitt, Dave Van Ronk, Stan Rogers, John Gorka, and Anais Mitchell, and has recorded with Johnny Cunningham, David Darling, and Rani Arbo, among others. Lui has been hailed by the Boston Herald as a "folksinger for our times" and by the Boston Globe as "one of New England's first and brightest stars." She was voted third most popular performer at the Champlain Valley Festival in 1992, along with Pete Seeger and French Canadian band La Bottine Souriante. Renowned guitarist Dave van Ronk called her "one of the best guitarist-arrangers I have heard in years." And Canadian folk icon Stan Rogers quipped, "Lui sings my songs better than I do." Besides her concerts, Collins is involved in teaching and early elementary music curriculum development. In 2003 she founded "Lui Collins' Upside-Up Music" for families with young children.



When: Feb 6, 2015 8 PM to Feb 6, 2015 10 PMin Marblehead, Massachusetts
Cost: 10 - 20 USD (Fri, 06 Feb 2015 20 )
Hanneke Cassel Trio at the me&thee
"EXUBERANT AND RHYTHMIC, somehow both wild and innocent, delivered with captivating melodic clarity and an irresistible playfulness," says the Boston Globe about Hanneke Cassel's playing. Such charismatic fiddling has brought the native Oregonian many honors and awards. She is the 1997 U.S. National Scottish Fiddle Champion, she holds a Bachelors of Music in Violin Performance from Berklee College of Music, and she has performed and taught across North America, Europe, New Zealand, Australia, and China. HANNEKE'S LATEST RELEASE, Dot the Dragon's Eyes (December 2013) features an all-star cast of musicians - including Mike Block, Rushad Eggleston, Jeremy Kittel, Keith Murphy, Christopher Lewis, Dave Wiesler, Ryan McKasson, Cali McKasson Kovin, and Ariel Friedman. Influences from Scotland to China, along with grooves and musical innovations from the hip Boston bluegrass/Americana scene, fuse together to create a uniquely American approach to Scottish music. She creates sounds on the cutting edge of acoustic music, while retaining the integrity and soul of the Scottish tradition. IN ADDITION TO HER SOLO ACT, Hanneke tours regularly with Baroque/Celtic group Ensemble Galilei, and has performed with the Cathie Ryan Band, Cherish the Ladies, Alasdair Fraser, and Matt Glaser and the Wayfaring Strangers. She is an active member of Boston-based band Childsplay (featuring 20+ fiddles made by Bob Childs) and co-founder (with Laura Cortese and Lissa Schneckenburger) of Celtic chick band Halali. She teaches regularly at Alasdair Fraser's Valley of the Moon and Sierra Fiddle Camps, Boston Harbor Fiddle Camp, and the Club Passim School of Music. Hanneke's fiddling has graced the stages of The Boston Hatch Shell (performing with Joey McIntyre of New Kids on the Block), Boston's Symphony Hall (opening for Judy Collins), Mountain Stage, The Plaza Hotel, and the Lincoln Center. AWARDS *2008 USA Songwriting Contest 1st place INSTRUMENTAL 3rd place OVERALL *2006 Nomination for Boston Music Award Best Folk Act *1998 Berklee College of Music Strings Award *1997 U.S. National Scottish Fiddle Champion *1996 Oregon State Texas-style Grand Champion *1996 Berklee U.S. Scholarship Tour Award *1992 and 1994 U.S. National Jr. Scottish Champion DISCOGRAPHY *Dot the Dragon's Eyes (2013) *For Reasons Unseen (Nov. 2009) Hanneke Cassel *Notes From Across The Sea Ensemble Galilei *Waiting for the Dawn Childsplay *Calm the Raging Sea Hanneke Cassel/Christopher Lewis *From the Edge of the World Ensemble Galilei *In the Moment Alasdair Fraser/ Natalie Haas *Silver Hanneke Cassel *Some Melodious Sonnet Hanneke Cassel *The Farthest Wave Cathie Ryan *Many Happy Returns Hanneke Cassel/ Dave Wiesler *HalaliHalali *My Joy Hanneke Cassel *Diary of a Fiddler Darol Anger *The Wee Hours Various



When: Feb 13, 2015 8 PM to Feb 13, 2015 10 PMin Marblehead, Massachusetts
Cost: 10 - 20 USD (Fri, 13 Feb 2015 20 )
Spinning Tuesdays at 9:30 am


When: Jan 13, 2015 2 PM in Marblehead, Massachusetts (Tue, 13 Jan 2015 14 )
Rod Picott at the me and thee (Radoslav Lorkavic opens!)
The son of a welder from rural New England, Rod Picott is a masterful songwriter and soulful singer who carries with him as fine a suitcase of songs as you'll find anywhere. Slaid Cleaves, Ray Wylie Hubbard and Fred Eagelsmith have recorded Rod Picott songs. A former construction worker who hung up his tools when he released his debut CD in 2000, Picott has carved a career for himself with a run of 6 beautifully crafted self released CDs over the last 13 years and a well earned reputation as a engaging, emotion fueled performer. Hang Your Hopes On Crooked Nail, produced by RS Field [Billy Joe Shaver, Justin Townes Earle, Hayes Carll] is a collection of carefully crafted songs of rugged truth and beauty. Recorded at Joe Pisapia's [KD Lang, Guster] Middletree Studios in East Nashville the CD highlights Picott's particular gift for exploring complex themes in common language. The eleven songs on Hang Your Hopes On a Crooked Nail offer an unblinking albeit wry gaze into our common heart and a clenched fist of defiance against the trials that tear at our humanity. "Accept Rod Picott for what he is; Americana of the highest order" Julian Piper/ Acoustic Magazine "Gems that finely balance despair, desire and optimism with dexterity" Arthur Wood/Maverick Magazine "Hangdog lyrics and deadpan delivery have the ability to strike a chord with anyone who has a heart." Alison Stokes/Country Music People RADOSLAV LORKAVIC Drawing from a multitude of influences ranging from elegant classical and jazz styles to the rawest, most basic blues, country and soul, Radoslav Lorkovic has taken on an unusually broad musical spectrum and refined it into his distinctive piano style. His tenure on the R&B and folk circuits has culminated in five critically acclaimed solo recordings and numerous appearances on the recordings of and performances with artists including Odetta, Jimmy LaFave, Ribbon of Highway Woody Guthrie Tribute, Greg Brown, Richard Shindell, Ellis Paul, Ronny Cox, Dave Moore, Andy White, and Bo Ramsey. His thirty year touring career has led him from the taverns of the upper Mississippi River to the castles of Italy, The Canary Islands, The Yup'ik villages of Alaska, The Kennedy Center and Carnegie Hall. Born in Zagreb, Croatia in 1958, Lorkovic's initial exposure to music can be attributed to two grandmothers. Antonija, his maternal Grandmother, sang him Croatian, Slovenian and Czech folk songs since birth. At age one he was reported to be singing back on pitch. By age three he was putting on floor shows for his grandfather and friends who would respond by showering him with coins yelling "pivaj Radoslav pivaj!" During this time classical music played in the home constantly due to the influence of his paternal grandmother Melita Lorkovic, a internationally renown classical pianist. After this blend of central European musical influences Radoslav moved to the United States at age six. He had a foothold on a classical music career when at age fourteen he was sidetracked by a blues scale that a friend had taught him. After several years and countless hours of expounding on this spark, Lorkovic began touring at age 20 with Bo Ramsey and the Sliders. Lorkovic entered the band having mastered the styles of boogie-woogie greats such as Albert Ammons, Pete Johnson, Freddie Slack etc.. Ramsey's influence drove Lorkovic deeper to the core of the blues. The music of Howlin' Wolf, Muddy Waters and Little Walter shifted Lorkovic's focus to the basics as he began to draw from the styles of Otis Spann and Pinetop Perkins. Several years later Lorkovic and Ramsey joined forces with Greg Brown adding musical authenticity to his deep Iowa Roots. At this time Lorkovic was simultaneously brushing up on his classical heritage and looking south to the polyrhythmic sounds of Professor Longhair and James Booker. He had picked up Tex-Mex and Zydeco accordion as well. In 1990 he made his solo recording debut. Six CDs later, Lorkovic currently tours the world regularly appearing at prestigious events such as the Woody Guthrie Folk Festival, WOMAD, Winnipeg, Calgary, Edmonton and Ottawa folk festivals, Falcon Ridge Folk Festival, Mountain Stage, Prairie Home Companion, eTown as well as a litany of Italian castles and villas.



When: Nov 7, 2014 8 PM to Nov 7, 2014 10 PMin Marblehead, Massachusetts
Cost: 10 - 18 USD (Fri, 07 Nov 2014 20 )
James Keelaghan
Called Canada's finest singer-songwriter by one of the most respected and lauded music journalists of the last 50 years, James Keelaghan is an artist who has proven to be a man for all seasons. As the calendar pages have turned, for almost a quarter of a century now, this poet laureate of the folk and roots music world has gone about his work with a combination of passion, intent and intensity, and curiosity. Fusing his insatiable appetite for finding the next unique storyline Keelaghan also forges his pieces with brilliantly defined craftsmanship and a monogrammed artistic vision, making him one of the most distinctive and readily identifiable voices of not only the Canadian scene, but as a member of the international singer-songwriter community. Armed with a songbook that has enlightened and enthralled, and been embraced, by audiences around the world, Keelaghan's life as an artist is one that is a perpetual journey on so many levels. Most importantly it's a journey that has invited fans of literate and layered songwriting to be a part of his artistic expeditions, some that weave their way through marvelously etched stories of a historical nature with underlying universal thenes , and others that mine the depths of the soul and the emotional trails of human relations. His masterful story telling, over the course of nine recordings, has been part of the bedrock of his success, earning Keelaghan his share of nominations and awards, and acclaim from Australia to Scandinavia. "The necessity to write has always been a double-edged sword. I've always had the urge to write. Some things weren't being said in the way I wanted to say them. Then there are the different sides of what I write about. The narrative writing, the historical material, as well as the personal, where you have to take responsibility for what you are saying," says the Calgary native who has been calling Winnipeg home for the past few years. A disciplined visionary, Keelaghan's aces have long been a love of language, and history, as he earned a history degree years ago, his skills as a thespian that he acquired at an early age, that explain his ability to make an immediate connection with audiences in a live setting, and an ear for a memorable melody, and harmonies that make those melodies glisten. "I'm good for 80 or so books a year, mostly history, non-fiction, but inspiration can come in many forms, I'm always on the lookout for a good story or idea. My sister told me the story that became Kiri's Piano. It was such an image," says Keelaghan that visits a dark chapter in Canadian history, Japanese interment camps in the Second World War. Not only does his deep catalogue include timeless originals like Fires of Calais, Cold Missouri Waters, Jenny Bryce, Hillcrest Mine, and Kiri's Piano. Keelaghan is also a possessive interpreter of outside material, a fine example being his gripping take on Gordon Lightfoot's epic Canadian Railroad Trilogy on the Lighfoot Tribute disc Beautiful. There are a number of illustrations of his interpretive skills on his 2006 recording A Few Simple Verses. The closing tune on that spellbinding set, My Blood written with Jez Lowe, is one of many examples in Keelaghan's career, where he has invited collaboration into his creative process. "I was at the Celtic Colors Festival in 2008 and the producers locked six of us in a house for a week, and the company included Dave Gunning, David Francey, and Rose Cousins, it was an amazing experience. We had to come up with enough material for a show at the end of it. "To go along with a lifelong accumulation of influences, there have been these opportunities to work with equals, whether if be Oliver Schroer, Hugh McMillan, or Oscar Lopez. The sparks of collaboration, batting melodies back and forth, whatever, have produced some wonderful results," says the artist who ties it all together with a powerful voice, delivery, and a commanding presence where he finds a balance between examining the lighter and heavier sides of life. Admiration and respect for his work amongst his peers is best summed up by David Francey who recently stated that, "James Keelaghan sis a voice in contemporary Canadian songwriting that has helped us define who we are as a people. He writes with great humanity and honesty, with an eye to the past and a vision of the future. He has chronicled his times with powerful and abiding songs, with heart and eyes wide open."



When: Jan 16, 2015 8 PM to Jan 16, 2015 10 PMin Marblehead, Massachusetts
Cost: 10 - 20 USD (Fri, 16 Jan 2015 20 )
Preschool Swim I


When: Jan 5, 2015 1 PM in Marblehead, Massachusetts (Mon, 05 Jan 2015 13 )
LvO SwimFit Masters Swimming


When: Dec 1, 2014 12 AM to Sep 30, 2015 12 AMin Marblehead, Massachusetts (Mon, 01 Dec 2014 00 )
LVO: Level 3


When: Dec 1, 2014 12 AM to Jun 30, 2015 12 AMin Marblehead, Massachusetts (Mon, 01 Dec 2014 00 )
"Vegan Wine, Cheese, and Chocolate" Pairing and Sampling Workshop

Come join us for our very first Vegan Minimialists event. Hosted in our historic New England seaport home built in 1778, our "Vegan Wine, Cheese, and Chocolate Sampling Workshop" will feature 4 wines, 6 cheeses, and 3 types of chocolate. Learn how to pair wine, cheese, and chooclate based on flavor and texture, and sample some unique vegan produts that are being created around the country. Treat your tastebuds to a night filled with delicious, kind, and compassionate dairy alternates, as well as a basic education on wine tasting and pairing. Fruit, nuts and crackers will also be provided, and many of the products offered that evening contribute donations to farm sanctuaries in the country. 

  • Minimum of 6 particpants for this event, so tell a friend!
  • Due to the products that are ordered for this event, cancellations and refunds can not be granted without a 14 day notice.
  • Help us to continue kind events like these by signing up, and spreading the word. 



When: Nov 22, 2014 6 PM to Nov 22, 2014 9 PMin Marblehead, Massachusetts (Sat, 22 Nov 2014 18 )
Nutcracker Story Hour - Boston Ballet School
When: Dec 12, 2014 10 AM in Marblehead, Massachusetts (Fri, 12 Dec 2014 10 )
LvO - After School (2:30 p.m. - 4:30 p.m.)


When: Nov 24, 2014 12 AM to Jun 26, 2015 12 AMin Marblehead, Massachusetts (Mon, 24 Nov 2014 00 )
73 Duster


When: Nov 15, 2014 9 PM in Marblehead, Massachusetts (Sat, 15 Nov 2014 21 )
John McCutcheon at the me and thee!
John McCutcheon's first award-winning song was titled The Ponderosa No-Cream-in-My-Coffee Blues, penned at the greasy spoon of the same name in his Wisconsin hometown. He was all of 15 years old and it won him his high school talent show. "My best friend claims that he still has a cassette of the song," McCutcheon recently disclosed, "and if we ever have a serious falling out it's going right up on YouTube." Since those early creative days John McCutcheon has gone on to write hundreds of songs and garnered more than his share of accolades. His eclectic catalog of ballads, historical songs, children's songs, love songs, topical satire, fiddle and hammer dulcimer instruments, and even symphonic works are among the broadest in American folk music. His thirty-six albums have earned 6 Grammy nominations. His songwriting has been hailed by critics around the world; his song Christmas in the Trenches is considered a classic and was recently named one of the 100 Essential Folk Songs. "What sets McCutcheon's songs apart is that he's actually writing about something!" observed well-known folk music DJ Bob Blackman. Whether it's a musical snapshot of a day in the life of an Alaskan salmon fisherman, a child's pondering the loss of her first tooth, remembering a moment that was omitted from our history books, lampooning the latest foibles on the national political scene, or celebrating the joy of old love McCutcheon's songs are always about something small and, at the same time, something much bigger. "All big things start with little things," he observed, "the way in which a song is able to open up the universal from the personal is one of the great joys of writing." In addition to his own writing, John has collaborated with some of the major songwriting talents in the folk music world including Tom Paxton, Si Kahn, Holly Near, Steve Seskin, and Tom Chapin. In 2006 he released an album of collaborations entitled Mightier than the Sword, in which he co-wrote songs with some of his favorite authors, including Barbara Kingsolver, Wendell Berry, Rita Dove, Lee Smith, and Carmen Agra Deedy. He has worked in the Woody Guthrie Archives completing some of Guthrie's unfinished songs and has composed musical settings of poetry by Pablo Neruda and Jose Martí. With his deep roots in American traditional music, his approach to writing reflects both a simplicity and a layered complexity that creates songs that are always more than they seem. "He is a master at the difficult craft of the ballad," touted the Boston Globe. "Storytelling with the richness of fine literature," added the Washington Post. "One of our country's best songwriters," said Pete Seeger.



When: Nov 14, 2014 8 PM to Nov 14, 2014 10 PMin Marblehead, Massachusetts
Cost: 10 - 20 USD (Fri, 14 Nov 2014 20 )
Youth Basketball - AN Training Purposes


When: Oct 21, 2014 7 PM in Marblehead, Massachusetts (Tue, 21 Oct 2014 19 )
Kris Delmhorst at the me&thee
Kris Delmhorst grew up in Brooklyn NY, but her musical home is in Boston MA where she cut her teeth on open mics, bar gigs, and subway busking before embarking on her life as an internationally touring songwriter. She has released six albums on respected indie label Signature Sounds. Delmhorst now lives in the hills of western Massachusetts with her husband, songwriter Jeffrey Foucault, with whom she occasionally performs as part of the collective Redbird. Delmhorst released her seventh album in May 2014, BLOOD TEST (Signature Sounds) her first of original music since 2008s critically acclaimed album SHOTGUN SINGER. A prolific writer and constant collaborator, Delmhorst continues to share her unique perspective in this new work. The album describes a moment of reckoning and centering in the songwriter's life, and in society as a whole. In a collection of songs which move between triumph and heartbreak, restlessness and responsibility, Delmhorst acknowledges the weary work of an intentioned life and the new American dream of presence and perspective in a frenetic time.



When: Apr 24, 2015 8 PM to Apr 24, 2015 10 PMin Marblehead, Massachusetts
Cost: 10 - 20 USD (Fri, 24 Apr 2015 20 )
Don Humphreys Veterans Memorial 5K


When: Nov 9, 2014 12 AM to Nov 9, 2014 12 AMin Marblehead, Massachusetts (Sun, 09 Nov 2014 00 )
Catie Curtis and Jenna Lindbo at the me and thee
The Boston music scene has spawned so many great artists, it's hard to keep up, from flat-out rockers like Aerosmith and Morphine to thoughtful folkies such as Patty Griffin and Ellis Paul. That's where Catie Curtis comes in. With her instantly recognizable voice and insightful and often humorous lyrics, Curtis has steadily gained a sure footing among her peers. Curtis first garnered attention as she toured the house concert and coffeehouse circuit (circa the early '90s) to support her independently released disc, From Years to Hours, which followed the cassette-only release of Dandelion in 1989. Her young sound had echoes of Rickie Lee Jones and her songwriting revealed an innocent yet heartfelt poetry that would only get deeper and richer with more life experience. Hear Music took note and put out Truth from Lies in 1995. That offering got Curtis noticed over at EMI/Guardian, who, consequently, re-released the disc in 1996 and its successor, Catie Curtis in 1997. These albums showcased the evolution of the artist and songwriter, as she moved slowly away from her raw folk roots to a slightly more pop sound. The song "Soulfully," from Catie Curtis, was warmly embraced, and found its way to both radio and television with exposure on Dawson's Creek and Chicago Hope. Crash Course in RosesCurtis continued to build a fan base through extensive touring, even hopping on legs of the Lilith Fair tour. When her label closed its doors, she found another home at Rykodisc and sent A Crash Course in Roses into the world in 1999. This offering centered around the haunting theme of the impact of sudden events on life. After touring with Dar Williams for a spell, Curtis was inspired for the next project. So, for her 2001 effort, My Shirt Looks Good on You, she took a more collaborative approach to the songwriting and teamed up with a number of Boston's finest songwriters, including Billy Conway and Mary Gauthier. She also teamed up with hotshot producer/engineer Trina Shoemaker to redefine her sound while making the record. The result was another surefooted step forward for Curtis and a harbinger of more great things to come. Dreaming in Romance Languages, Curtis' first for Vanguard, appeared in 2004. Long Night Moon, much of which reflected on her life as the new mother of two adopted little girls, arrived in 2006, followed by the aptly titled Sweet Life in 2008. JENNA LINDBO Music Player - Listen Now! Jenna Lindbo - Let There Be Love Follow Jenna: Facebook Twitter RSS One part wise old woman and one part goofy little kid, Jenna Lindbo is going to find a way to your heart. It's only a matter of time. An Oregon native, Jenna travels the country, inspiring audiences from Asheville to Anchorage with her rootsy folk songs and infectious joy. Along the way she keeps meeting folks who love to hear her music, soak up the effervescent energy of her shows, and get smacked upside the heart. "A songwriter with serious spark!" Buoyed by the experience, inspiration, and exposure from touring extensively with Catie Curtis, Jenna's solo career is taking off. She's currently celebrating the release of her new cd, Jasmine Parade (2012), produced by Lorne Entress. With lush arrangements and simply adorned songs, this album beautifully captures Jenna's storytelling and reflects a deepening in her art as well as a rich new chapter unfolding. The songs on Jasmine Parade as well as her first release, Strings & Spokes (2010) bring joyful attention to the sweetness and sorrow of life worth living. Jasmine Parade features appearances by Catie Curtis, Kai Welch (Abigail Washburn), Edie Carey, and Peter Mulvey. "If you don't have fun listening to Jenna, it's pretty much your fault." Peter Mulvey



When: Oct 24, 2014 8 PM to Oct 24, 2014 10 PMin Marblehead, Massachusetts
Cost: 10 - 22 USD (Fri, 24 Oct 2014 20 )
Radoslav Lorkovic
Radoslav Lorkovic



When: Nov 7, 2014 8 PM in Marblehead, Massachusetts
Cost: $18 / $21 at door (Fri, 07 Nov 2014 20 )
Hanneke Cassel Trio at the me&thee
"EXUBERANT AND RHYTHMIC, somehow both wild and innocent, delivered with captivating melodic clarity and an irresistible playfulness," says the Boston Globe about Hanneke Cassel's playing. Such charismatic fiddling has brought the native Oregonian many honors and awards. She is the 1997 U.S. National Scottish Fiddle Champion, she holds a Bachelors of Music in Violin Performance from Berklee College of Music, and she has performed and taught across North America, Europe, New Zealand, Australia, and China. HANNEKE'S LATEST RELEASE, Dot the Dragon's Eyes (December 2013) features an all-star cast of musicians - including Mike Block, Rushad Eggleston, Jeremy Kittel, Keith Murphy, Christopher Lewis, Dave Wiesler, Ryan McKasson, Cali McKasson Kovin, and Ariel Friedman. Influences from Scotland to China, along with grooves and musical innovations from the hip Boston bluegrass/Americana scene, fuse together to create a uniquely American approach to Scottish music. She creates sounds on the cutting edge of acoustic music, while retaining the integrity and soul of the Scottish tradition. IN ADDITION TO HER SOLO ACT, Hanneke tours regularly with Baroque/Celtic group Ensemble Galilei, and has performed with the Cathie Ryan Band, Cherish the Ladies, Alasdair Fraser, and Matt Glaser and the Wayfaring Strangers. She is an active member of Boston-based band Childsplay (featuring 20+ fiddles made by Bob Childs) and co-founder (with Laura Cortese and Lissa Schneckenburger) of Celtic chick band Halali. She teaches regularly at Alasdair Fraser's Valley of the Moon and Sierra Fiddle Camps, Boston Harbor Fiddle Camp, and the Club Passim School of Music. Hanneke's fiddling has graced the stages of The Boston Hatch Shell (performing with Joey McIntyre of New Kids on the Block), Boston's Symphony Hall (opening for Judy Collins), Mountain Stage, The Plaza Hotel, and the Lincoln Center. AWARDS *2008 USA Songwriting Contest 1st place INSTRUMENTAL 3rd place OVERALL *2006 Nomination for Boston Music Award Best Folk Act *1998 Berklee College of Music Strings Award *1997 U.S. National Scottish Fiddle Champion *1996 Oregon State Texas-style Grand Champion *1996 Berklee U.S. Scholarship Tour Award *1992 and 1994 U.S. National Jr. Scottish Champion DISCOGRAPHY *Dot the Dragon's Eyes (2013) *For Reasons Unseen (Nov. 2009) Hanneke Cassel *Notes From Across The Sea Ensemble Galilei *Waiting for the Dawn Childsplay *Calm the Raging Sea Hanneke Cassel/Christopher Lewis *From the Edge of the World Ensemble Galilei *In the Moment Alasdair Fraser/ Natalie Haas *Silver Hanneke Cassel *Some Melodious Sonnet Hanneke Cassel *The Farthest Wave Cathie Ryan *Many Happy Returns Hanneke Cassel/ Dave Wiesler *HalaliHalali *My Joy Hanneke Cassel *Diary of a Fiddler Darol Anger *The Wee Hours Various



When: Apr 10, 2015 8 PM to Apr 10, 2015 10 PMin Marblehead, Massachusetts
Cost: 10 - 20 USD (Fri, 10 Apr 2015 20 )

Copyright (c) 2006 EVDB, Inc. All rights reserved. Use subject to terms of use: http://eventful.com/terms

More Local Events & News | Submit Event

Hometown Videos
add video

Search By Category
view all
More Featured Businesses

Local Video Sponsors
more | add

Additional Networks: New Hampshire & Rhode Island

Copyright © 2001 - 2014. All rights reserved. - Web site design by custom web site design firm WebTY's. - Home | Contact | Spotlight Sites | - 49564
load time: 0.9375 seconds